Edward Hopper And Paul Klee Paintings

By Darren Hartley


Edward Hopper paintings struggled for recognition in the 1910s. They were exhibited in a variety of New York group shows, primarily the painting titled Sailing. Paintings done in the medium of etching brought immediate sales success.

It was in 1920 that Edward Hopper was able to put up his first one-man exhibition. Thanks to his patron, Gertrude Vanderbilt Whitney, who was also the founder of the Whitney Studio Club, where the exhibit was held. However not one of the 16 etched Edward Hopper paintings was sold. Still the exhibition is considered a symbolic milestone in the career of the then thirty seven year old painter.

Conversely, the second one-man exhibition of Edward at the Frank K.M. Rehn Gallery in New York, a few years later, was a resounding success. Each one of the Edward Hopper paintings presented was sold. As an artist, Edward suddenly found himself in a more prosperous and prominent position after this commercial triumph.

During the course of his career, Paul Klee was considered to be one of the leading forces in many of the various art movements he participated in. Among other art forms, Paul Klee paintings were chiefly exhibitions of expressionism, cubism and surrealism. During the later part of his long career, Paul also worked as an art instructor, for some time.

It was early on during his teen years that Paul shifted his attention from music to the visual art forms. He developed a unique art style by 1905, where he drew with a needle on a blackened pane of glass, creating magnificent depth and texture for his designed pieces. Paul Klee paintings of 1903-1905 took the form of a set of etchings, entitled Inventions, which became the source for his first exhibit.

The next five years saw Paul Klee paintings progressing to new art forms. Paul began to work on water colors and experimentation, in general. By 1914, Paul started work on abstract art, inspired by light exhibits he viewed in Tunisia.




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