Acting involves the development of many skills, one of which is auditioning, a skill you can develop in some acting classes in NYC. Gaining acting experience on stage, film or television is an important way to develop acting skills, but that won't happen if you don't audition well. Developing auditioning skills may be up to you as some acting classes NYC don't cover this thoroughly. Being prepared, with a deep set of auditioning skills is necessary if you expect to exploit every opportunity to audition that comes your way. Meisner acting classes in NYC that teach the Meisner technique are known for producing disciplined actors. Meisner acting techniques are suitable for improving your auditioning ability also.
There are several ways you are guaranteed to fail when auditioning. One way to be discounted is to appear overconfident. At the same time you cannot allow yourself to be overly nervous or insecure, unless the role calls for it. Being overly nervous or overconfident is not what will count against you in an audition. Nervousness, overconfidence or any other type of emotional reaction to an audition is an unwanted block to the emotional presentation of the character you are auditioning for.
This is a very bad acting habit, being too closed off and too rehearsed and it's a poor auditioning technique as well. Too nervous, and it's too distracting to you and the auditors and you run the risk of not being open to the performance and the emerging character. It is the character, with all his or her flaws, energy, sorrow, tension, humor, really a balance of all of these human traits, that must be present.
The slate may not seem important. Stating your name, your agent, at the beginning of the tape helps them track your audition but, it's also their first impression of you. It seems like a throwaway moment, just a way for the people conducting the audition to keep track. Here's a shocking fact. Watching past the slate to see the actual audition is not always the norm. Actors must think about how many hundreds of other actors are also turning in tapes our auditions. When wading through these tapes, anything that helps them to more quickly find the best of the best is necessary. A slate needs to take those few seconds, and let them know you are someone worth watching.
This may seem brutal, it does speed up the process. The fact remains that learning to slate well increases your chances of being seen. While some acting classes deal with auditioning, many don't. When researching acting classes in NYC, research those that teach about slates and other auditioning skills. Acting classes in NYC in some institutions, may ask for a slate and audition tape for entry into their program. This skill can be practiced much like any other. Lights, camera action and give it a go. Some things to think about if you do practice slates. True communication is connecting with someone even if through a device, like a camera. Record and play back several versions of the slate and see how it plays. You can get feedback from people you trust, and keep working at it until you feel like your slate is a natural extension of who you are as an actor.
As for the information they want, it's most often limited to your name and the agency that represents you. Since the slate is the first impression of you-keep it short. When auditioning for commercials a hint of character might be okay. If you fall short of their expectations they may hit the eject button before the actual tape. The real purpose of the slate is for them to keep track of your tape, so just let them know if a few short seconds who you are. Once the slate is done, move quickly into character and give them the portrayal they could never have anticipated, the character they didn't even know they wanted. Seek out Meisner acting NYC if you want to know more about how to create character with this technique.
There are several ways you are guaranteed to fail when auditioning. One way to be discounted is to appear overconfident. At the same time you cannot allow yourself to be overly nervous or insecure, unless the role calls for it. Being overly nervous or overconfident is not what will count against you in an audition. Nervousness, overconfidence or any other type of emotional reaction to an audition is an unwanted block to the emotional presentation of the character you are auditioning for.
This is a very bad acting habit, being too closed off and too rehearsed and it's a poor auditioning technique as well. Too nervous, and it's too distracting to you and the auditors and you run the risk of not being open to the performance and the emerging character. It is the character, with all his or her flaws, energy, sorrow, tension, humor, really a balance of all of these human traits, that must be present.
The slate may not seem important. Stating your name, your agent, at the beginning of the tape helps them track your audition but, it's also their first impression of you. It seems like a throwaway moment, just a way for the people conducting the audition to keep track. Here's a shocking fact. Watching past the slate to see the actual audition is not always the norm. Actors must think about how many hundreds of other actors are also turning in tapes our auditions. When wading through these tapes, anything that helps them to more quickly find the best of the best is necessary. A slate needs to take those few seconds, and let them know you are someone worth watching.
This may seem brutal, it does speed up the process. The fact remains that learning to slate well increases your chances of being seen. While some acting classes deal with auditioning, many don't. When researching acting classes in NYC, research those that teach about slates and other auditioning skills. Acting classes in NYC in some institutions, may ask for a slate and audition tape for entry into their program. This skill can be practiced much like any other. Lights, camera action and give it a go. Some things to think about if you do practice slates. True communication is connecting with someone even if through a device, like a camera. Record and play back several versions of the slate and see how it plays. You can get feedback from people you trust, and keep working at it until you feel like your slate is a natural extension of who you are as an actor.
As for the information they want, it's most often limited to your name and the agency that represents you. Since the slate is the first impression of you-keep it short. When auditioning for commercials a hint of character might be okay. If you fall short of their expectations they may hit the eject button before the actual tape. The real purpose of the slate is for them to keep track of your tape, so just let them know if a few short seconds who you are. Once the slate is done, move quickly into character and give them the portrayal they could never have anticipated, the character they didn't even know they wanted. Seek out Meisner acting NYC if you want to know more about how to create character with this technique.
About the Author:
The Maggie Flanigan Studio provides meisner acting classes in New York City. For more information about acting classes nyc visit the studio website where you can get specific answers to any question you have.
