If you collect artwork of any kind, there are specific ways of caring for it to ensure its integrity and condition. There are certain techniques curators and collectors use to make sure rare and valuable works do not deteriorate and do not suffer damage that could compromise the artist's original intentions and reduce the value of the piece. Good conservation techniques can minimize the need for the extensive art restoration New Jersey experts offer.
Restorers hate to see artwork on paper come into their shops with mats glued or taped to them. This can cause serious harm to a nice piece, and it is something easily avoided. Professionals warn purchasers of loose pieces not to mount them to mats in any way. Instead they should be hinged to the back mats. Artwork is extremely susceptible to sunlight. Art on paper, such as watercolor, is delicate and will easily fade without protection.
If you decide to store a paper artwork, you should never put it someplace where it can be exposed to damp conditions, such as a basement. The piece may get mold, buckle, and eventually begin to disintegrate. By contrast, storing paper artwork in attics, where the temperature fluctuates and can be very dry, could cause the work to contract and make it susceptible to tearing.
Oil and acrylic on canvas are generally sturdier than artwork on paper, but a lot of the same rules apply. Direct sunlight will cause paint to fade. Since these works are not preserved behind glass, dust and dirt can become ingrained in the canvas. It is usually a good idea to leave paintings in their original frames. You may not like the style, but if it is what the artist chose, there was a reason for it.
One of the easiest ways to damage a piece of art is by using inferior materials to hang it. Paintings that are not properly secured to a wall can fall, which may cause significant damage. It is not a good idea to purchase standard frames that have either metal fasteners or string for hanging purposes. You need wire stretched across the back of the frame secured with d-rings.
People who collect textiles are not always aware of how vulnerable they are to light. Even behind UV glass, textile pieces tend to fade easily unless they are hung in a room with low light. You have to be careful storing these pieces. Contact with any kind of wood, like a cedar chest or cardboard box, will cause staining.
If you collect free standing artwork, you are probably already aware that they are susceptible to being knocked over. A sturdy base will help correct this problem. You might also display these works in areas with enough room for them and family members to co-habit easily.
Art collectors usually know how to preserve their pieces. Sometimes they find great work they are willing to have restored however. Once that process is complete, conserving them for future generations can begin.
Restorers hate to see artwork on paper come into their shops with mats glued or taped to them. This can cause serious harm to a nice piece, and it is something easily avoided. Professionals warn purchasers of loose pieces not to mount them to mats in any way. Instead they should be hinged to the back mats. Artwork is extremely susceptible to sunlight. Art on paper, such as watercolor, is delicate and will easily fade without protection.
If you decide to store a paper artwork, you should never put it someplace where it can be exposed to damp conditions, such as a basement. The piece may get mold, buckle, and eventually begin to disintegrate. By contrast, storing paper artwork in attics, where the temperature fluctuates and can be very dry, could cause the work to contract and make it susceptible to tearing.
Oil and acrylic on canvas are generally sturdier than artwork on paper, but a lot of the same rules apply. Direct sunlight will cause paint to fade. Since these works are not preserved behind glass, dust and dirt can become ingrained in the canvas. It is usually a good idea to leave paintings in their original frames. You may not like the style, but if it is what the artist chose, there was a reason for it.
One of the easiest ways to damage a piece of art is by using inferior materials to hang it. Paintings that are not properly secured to a wall can fall, which may cause significant damage. It is not a good idea to purchase standard frames that have either metal fasteners or string for hanging purposes. You need wire stretched across the back of the frame secured with d-rings.
People who collect textiles are not always aware of how vulnerable they are to light. Even behind UV glass, textile pieces tend to fade easily unless they are hung in a room with low light. You have to be careful storing these pieces. Contact with any kind of wood, like a cedar chest or cardboard box, will cause staining.
If you collect free standing artwork, you are probably already aware that they are susceptible to being knocked over. A sturdy base will help correct this problem. You might also display these works in areas with enough room for them and family members to co-habit easily.
Art collectors usually know how to preserve their pieces. Sometimes they find great work they are willing to have restored however. Once that process is complete, conserving them for future generations can begin.
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