William Blake paintings rank among the most original visual arts of the Romantic era. William first studied art as boy, at the drawing academy of Henry Pars. He served a five year apprenticeship with the commercial engraver James Basire before entering the Royal Academy School as an engraver at the age of twenty-two.
Nature Revolves, but Man Advances was one of the earliest William Blake paintings. It was a resultant from his private studying of medieval and Renaissance art. Raphael, Michaelangelo and Durer were among his idols. He was on the trail of producing timeless, Gothic art, representative of Christian spirituality, done with poetic ingenuity.
The 1790s saw William take on his most ambitious work as a visual artist in a series of 12 large color prints. These William Blake paintings of iconic designs were distinguished by their massive size. Many of the print subjects function in pairs and drawn from the Bible, Shakespeare, Milton and Newton.
The technique used in William Blake paintings was described as fresco. It is form of monotype, using oil and tempera paints mixed with chalks. The designs are painted on a flat surface, that is, a copperplate or millboard and finished in ink and watercolour. This made each impression, rare and unique.
There were about 50 tempera paintings and more than 80 watercolors completed from 1799 to 1890. These William Blake paintings from that period were a series of Bible illustrations concentrating on Old Testament prefigurations of Christ, the life of Christ and apocalyptic subjects from the Book of Revelation.
The trajectory that William Blake paintings took as far as development is concerned is towards the inner self. He concentrated on the journeys that the mind appears to take through its imagination. Physically, William never travelled outside of Britain except for a brief period on the southern coast of England.
Nature Revolves, but Man Advances was one of the earliest William Blake paintings. It was a resultant from his private studying of medieval and Renaissance art. Raphael, Michaelangelo and Durer were among his idols. He was on the trail of producing timeless, Gothic art, representative of Christian spirituality, done with poetic ingenuity.
The 1790s saw William take on his most ambitious work as a visual artist in a series of 12 large color prints. These William Blake paintings of iconic designs were distinguished by their massive size. Many of the print subjects function in pairs and drawn from the Bible, Shakespeare, Milton and Newton.
The technique used in William Blake paintings was described as fresco. It is form of monotype, using oil and tempera paints mixed with chalks. The designs are painted on a flat surface, that is, a copperplate or millboard and finished in ink and watercolour. This made each impression, rare and unique.
There were about 50 tempera paintings and more than 80 watercolors completed from 1799 to 1890. These William Blake paintings from that period were a series of Bible illustrations concentrating on Old Testament prefigurations of Christ, the life of Christ and apocalyptic subjects from the Book of Revelation.
The trajectory that William Blake paintings took as far as development is concerned is towards the inner self. He concentrated on the journeys that the mind appears to take through its imagination. Physically, William never travelled outside of Britain except for a brief period on the southern coast of England.
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