The bold colors, exaggerated body proportions and stark contrasts help Paul Gauguin paintings achieve broad success in the late 19th century. This paved the way for the Primitivism art movement. Paul Gauguin was a famed French artist who didn't have any formal art training. Instead, he simply followed his own vision, abandoning artistic conventions.
Paul quickly became serious with painting, which started as a hobby. One of his works was exhibited in an important Paris art show in 1876. His work appeared among the works of Pissarro, Degas and Monet in an Impressionist exhibition in 1879. One of the most famous of Paul Gauguin paintings, the Vision of the Sermon was created in 1888.
Moving to Tahiti in 1891 saw Paul create innovative art by combining native culture with his own. Returning to France in 1893, he exhibited his Tahitian pieces to mixed reactions. Returning to French Polynesia, he completed one of the later masterpieces among Paul Gauguin paintings, which was a study of the human life cycle.
The first major public commission among Titian Paintings established Tiziano Vecellio's place as the leading painter in Venice. This was the Assumption of The Virgin for the high altar of Santa Maria Gloriosa dei Frari. His training with Giorgione was influential to Titian's tonal approach to painting and his atmospheric and evocative landscape style.
The pastoral landscapes among the Titian paintings celebrated the beauty of nature alongside love and music. One particular landscape, Two Satyrs in a Landscape, featured mythological figures in a lush landscape whose untamed beauty contrasted with a carefully balanced arrangement.
What was remarkable in the portraits among Titian paintings is not only their suggestion of the status and importance of their subjects but their inclusion of a psychological dimension to them. Sensitivity in the hands and face as well as monumentality of presence are among the aspects that connote status and importance. The instigation of a melancholic or dreamy mood in the subjects exposes the mental dimension.
Paul quickly became serious with painting, which started as a hobby. One of his works was exhibited in an important Paris art show in 1876. His work appeared among the works of Pissarro, Degas and Monet in an Impressionist exhibition in 1879. One of the most famous of Paul Gauguin paintings, the Vision of the Sermon was created in 1888.
Moving to Tahiti in 1891 saw Paul create innovative art by combining native culture with his own. Returning to France in 1893, he exhibited his Tahitian pieces to mixed reactions. Returning to French Polynesia, he completed one of the later masterpieces among Paul Gauguin paintings, which was a study of the human life cycle.
The first major public commission among Titian Paintings established Tiziano Vecellio's place as the leading painter in Venice. This was the Assumption of The Virgin for the high altar of Santa Maria Gloriosa dei Frari. His training with Giorgione was influential to Titian's tonal approach to painting and his atmospheric and evocative landscape style.
The pastoral landscapes among the Titian paintings celebrated the beauty of nature alongside love and music. One particular landscape, Two Satyrs in a Landscape, featured mythological figures in a lush landscape whose untamed beauty contrasted with a carefully balanced arrangement.
What was remarkable in the portraits among Titian paintings is not only their suggestion of the status and importance of their subjects but their inclusion of a psychological dimension to them. Sensitivity in the hands and face as well as monumentality of presence are among the aspects that connote status and importance. The instigation of a melancholic or dreamy mood in the subjects exposes the mental dimension.
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